Friday, May 16, 2008

Burn My Body: Carson Honors a Difficult Decision

Needless to say, I was amazed.

Our paths intersected at 23rd and 7th around Noon. He had neck work and a sleeve, and an incredible lighthouse tattooed on the back of his left leg (for
his fiancée, he later explained), but I didn't think I'd catch him. He was walking faster than me, and had earbuds in. I generally don't like to a) interrupt people listening to music and, b) chase them.

But I happened to be walking the same direction and, when I noticed he had stopped to look into the windows of Dan's Chelsea Guitars, condition "b" was no longer a factor.


I approached him, distracted him from his ear buds, and introduced myself. I forgave myself the interruption because his work was so well done.

As I always do, when speaking with folks with multiple tattoos, I asked him which meant the most, which piece I could feature here on Tattoosday. He acknowledged that he had a chest piece which was "in progress". Did he mind showing me on the street? As the photo above indicates, not at all.


Excuse my manners. I didn't introduce our host properly. The guy on the sidewalk displaying has tattoos just downstairs from the Hotel Chelsea was Carson James.

Carson is a Brooklynite that plays bass in a band called Tombs (click to hear some of their stuff on their MySpace page).

And when he pulled his shirt off, I was expecting a great chest piece, but nothing like what scrolled across his body.

Carson confirmed, the words were the complete lyrics to a song, "Burn My Body" by William Eliot Whitmore.


"What," I asked, "is the significance of this song that made you want to preserve it forever on you like this?"

He told me how, about two years ago, his younger brother, Trevor Lorne James, was killed in a motorcycle accident in New Jersey. His parents were understanably distraught over such a devastating event, and the decision fell to Carson - his brother's body was cremated.

Here are the lyrics to "Burn My Body":
Burn My Body

Burn my body in the northern field
and let the wind blow the ashes around
Then you will know that my wounds have been healed
'cause Lord I'll be homeward bound

Let the flames warm your hands
let the glow light your way
These gifts to you I bestow
No one's listening don't bother to pray
if you do I'll never know
Up and up the smoke will roll
like a cloud of frightened crows
carry my not so immortal soul
up between the rows

Some words that are said can cut like a saw
and my ears nearly bled at the sound
I can't help prepare for the springtime thaw
'cause Lord I'll be homeward bound
When frost turns to flowers and they all start to bloom
and there's nothing left to hold
tip one back and sing me a tune
and never let the fire grow cold
You can see a video of Whitmore performing the song here.

We talked about cremation and I asked if he had ever heard the poem "Cremation" by Robinson Jeffers (read it here). I promised to e-mail it to him later.

This piece, and most of Carson's work was inked by Thomas Hooper, an incredible tattooer who worked out of Frith Street Tattoo and Piercing in London, and now works out of New York Adorned's Brooklyn shop. You can see more of Hooper's amazing work on his web site here. The quality of Hooper's tattooing is truly awesome.


Carson also gave me some more background on his other work (which I did not photograph). His right arm is sleeved with a depiction of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" and, as mentioned earlier, the lighthouse is for his
fiancée.

It should also be noted that this is another first for Tattoosday, as Carson is the host here whose face is visible in a tattoo shot. Understandable (and appreciated) due to the size of the featured work.

Thanks so much to Carson for sharing his ink with us here at Tattoosday!

Thursday, May 15, 2008

Henna Tattoo for the Lower Back

It's summer time here in Florida, and we are starting to tattoo the lower back. This bold pattern is taken once again from the "Sangeet" pattern book by Neeta Sharma available on line at Tap Dancing Lizard.

Her bold designs are very popular for henna parties. Her henna patterns offer the traditional feeling of henna in bold lines that are visually very compelling.

For lower back tattoo, be sure to wear a crop top and low rider pants so that there is plenty of room for your design. It is also important to let the design get good and dry before going out into the afternoon heat as too much sweating can cause a design to "melt" or to run if the paste is not sufficeintly dry.

I would love to see you all when I return to Midnight Sun on Saturday, May 24th. Please feel welcome to visit Spirit Vision Henna for henna tattoo photo galleries & more information.

Wednesday, May 14, 2008

Galactus and Red Skull on The Right Arm of Thomas

Saturday night, I ran into Thomas, who was waiting for the B16 bus on 86th Street in Bay Ridge.

Thomas is a manager at Galaxy Collectibles in Park Slope, Brooklyn. The store specializes in comics and related items and Thomas' tattoos reflect his love of the Art of Comic Books.

Above we have the inner forearm, his right, which he has dubbed "The Bad Guy Arm".

On top is Galactus,


and below is Red Skull.


As he was showing me the tattoos, he was explaining the characters, where they first appeared, and who designed them.

Thomas explained that he didn't start out with the intention of having "themed" arms, but they just sort of "evolved". He started with Galactus, and then realized another piece just below it would make sense and fill the space neatly.

On his outer right forearm is the Green Goblin:



These were all inked by his friend Marc Redbeard at Groove Tattoo in Bay Ridge. Work from Groove has appeared previously here.

His next project is "The Good Guy Arm," his left, which already has a Superman logo and The Green Lantern.

Thanks to Thomas for sharing his cool ink with us here on Tattoosday!

Sunday, May 11, 2008

Henna for the Back of the Hand from

henna tattoo back of hand

It's always wonderful to henna the hands. This is a photo of a design from Saturday henna in Five Points. Once again, the "Sangeet" pattern book proves popular, and this pattern is a reduction of a more complex design.

I started working farthest from the tips of the fingers, and drew the defining lines for the cuff portion of the pattern first. I then drew the little leaf jewel at the top of the the cuff before filling in the band. To do this, I first made the bold semi-circles that define the look of the inner band, then went back to fill them in.

I finished filling in the band, went back & did the embellishments on the leaf, and then moved to draw the pattern on the back of the hand. I drew the spiral portion of the tattoo (farthest from the thumb)filled that is, and finally drew and finished the larger paisley.

My paste for the day was a bit wet, so very easy to work with, but slow to dry. This year, perhaps because of the addition of a bit more pomegranate concentrate when making the paste, the paste is very easy to work with, but will run if not completely dry before going out into the sun... particularly if the lines are bold, or if you choose to have several applications of the lemon sugar glaze.

Thursday, May 8, 2008

Let your henna dry first.. then gild it.

gilded henna tattoo

Here is a photo of a gilded henna tattoo. This is also an example of the "Chef's Choice" option, which means you give me your hand, tell me how much you want to spend, and wait to see the result.

I realized again on Saturday that because I am familiar with henna and the process of gilding, that I may not always give a complete explanation to new customers. For that reason, I will now go over some basics. If this is old news to you.. please forgive.

The dark colored lines you see in the picture are of henna paste that has dried, been glazed with lemon sugar, and is "stuck" onto the skin. This dried paste is not the finished tattoo. Under the paste, henna is interacting with your skin to stain it some shade of red to reddish brown. The finished color of your tattoo will develop over the next two days. The initial color you see when the paste is removed will darken.

The other colors you see in the photo (click the photo for a larger image) are very temporary.. they will only last a day. The process of adding these temporary body paints is called gilding. If you want your henna tattoo gilded, there is no extra charge. There is extra drying time. It is very important that the henna paste (the darker lines) dries before the gilding is added. The gilding colors are made with cosmetic powders and glitters in a carrier base that is made of hair setting gel. This gel is a liquid, and can blur the henna tattoo if applied to early.

Now, if you are new to henna, it is important to remember that you must let your henna tattoo dry before becoming active. Failure to do so results is a smudged or running tattoo.. particularly if you spill a beverage on the design!!! Touch ups are sometimes possible, sometimes.. not so possible, but if you do need one during the henna party, you may have to wait until I have finished the tattoo I am working on.

Sometimes, hennas are smudged long after you've left the shop & a repair is not possible. Should this happen, no worries. Just remove all the henna paste from your skin, apply a vegetable oil.. and wait for the color to develop over the next few days. More information as well as FAQ are online at spiritvisionhenna.com

The Squid and the Elephant


A seriously long line at the Post Office cut into my outside time at lunch, which adversely affected my tattoo-spotting on Wednesday.

However, I took advantage of the long line at the Philatelic Window and introduced myself to Barrett, who offered up the tattoo above.

He has four tattoos, but this was the only one visible. It was inked about 13 years ago in his home in Colorado by a free-lance artist named Bryan Saren.

Mr. Saren is mentioned in several Durango, Colorado newspaper articles as a local artist and sculptor. I will assume its the same guy.

Barrett designed this piece himself and, although he acknowledges that it resembles the "tribal" category, he doesn't consider it a tribal tattoo.

He was just playing with the design and liked the end result, which is comprised of a melding of a squid and an elephant.

Look again:


The squid is at the tail end, or top of the piece. And the elephant is at the front. A closer look shows the center axis is comprised of the elephantine trunk, surrounded by two shorter, curving tusks.

No special significance to squid and elephant, just part of the design elements.

Thanks to Barrett for sharing his work with us here at Tattoosday!

Wednesday, May 7, 2008

Two for Tattoosday: A Break-Up Tattoo and Some European Tribals

Sure I'm posting Wednesday but both of these volunteers were MSG plaza-dwellers on Tuesday and, rather than save then for separate days, I thought I'd put them together.

First up is Erik:

Sorry I cut this off, but I couldn't see the screen in the sun's glare. Erik has a 3/4 sleeve (left arm), his mother and grandmother's names inked on, a small back piece, a leg piece, and a diamond on his chest, but we went with this design, on his left forearm, because it is more recent.

Tattooed by Eric Newman at Silk City Tattoo in Hawthorne, New Jersey (the shop was credited previously only two days ago here), this piece, a dagger through a flaming skull, was purchased for Erik by an ex-girlfriend, after she broke up with him. It is meant to represent a new beginning.

At the end of the day I met Cesar, also in front of the Garden. This is the tattoo that caught my eye:


I'm not a huge fan of tribal pieces, but this one on his right calf is one of the nicer pieces I have seen in a while. I especially like how it is not a solid black design, but resembles a textured wood. Cesar, who is from Italy, is in New York for only two days, and we had some difficulty communicating. This tattoo was inked in Brescia, in Northern Italy, and cost $40. (He offered, I have decided asking is not polite.)

He then showed me a tiki piece on his inner right bicep:


There are two faces, one representing good, one representing bad, juxtaposed on the tattoo, which was inked on the island of Ibiza, which is part of Spain.

Cesar told me the name of the shop was Sara, but I couldn't find a listing. However, considering the type of tattoo he received, I am going to go out on a limb and guess he got this piece at Tahiti Tiki Tattoo.

Thanks to Erik and Cesar for making Tattoosday a true Tat-twos-day!